Sunday, April 10, 2011

Task 2 - Reading Two

Psychological Reading - The Differences Between Jamal and Salim

All through the film, as Jamal and Salim are growing up, we can see the differences in their characters. Salim has different morals to the ones Jamal has, and often they do not see eye to eye. But both of them share a strong bond only brothers can have.

We first see this brotherly bond the first time Jamal flashes back to his childhood. The two are running from the cops and Jamal sprints to catch up to Jamal, where the two smile at each other and high five. You can instantly tell they are brothers from the way they stick together and look out for each other.
Also in this scene the boys turn around together and make fun of the cop, and the way they are in sync really shows the fun-loving brotherly bond they share, and we can see they are quite happy kids.


In the scene where Jamal is on the toilet we first see how Salim takes advantage of Jamal. Jamal loses Salim a sale at the toilet booth, so when Amitabh Bachchan, a famous movie star arrives, he blocks the door so Jamal can not leave the toilet. This is the first appearance of the revengeful side of Salim which we also see later. If you mess with him, he will mess with you.
In Jamals case though what we see is his perseverance. Even though he is locked in the toilet, he is still determined to meet his favourite movie star. So instead of admitting defeat, he jumps down into the poo, disgusting as it is, and gets his autograph. This is the same sort of attitude Jamal has the entire film - he keeps going till he finds Lat ika, and never stops looking for her.
Of course after Jamal receives the photo we see Salim sell it for a few extra coins. He is spiteful and jealous of the fact that Jamal an autograph, and that he lost money. You can see on his face afterwards that he is happy that he sold it, and doesn't feel guilty at all, and this lack of conscience is with Salim for a lot of the film. Even though he and Jamal are brothers, he is not beyond selling one of his favourite things, knowing it will upset him.


In the scene where the slums are attacked Salim and Jamal see their mother die. This kind of thing can be very traumatic for a child and can lead to them feeling vulnerable. They can also lose their sense of security. The death of their mother effects both the children a lot, although Salim doesn't act that way with Jamal.
Salim now realises he is the top of the family, and he has to take responsibility. He misses his mothers presence, and both him and Jamal have trouble sleeping on the first night. It is hard for Salim now, as he feels like he has to be like a father to Jamal, and he doesn't want Latika to come in and be a part of their family like a replacement of their mother so he tells Jamal not to let her in. It makes him seem kind of selfish in a way, like he doesn't want anything else to mess up his life, but he has good reason at the same time. We can see that Salim isn't really a positive thinker - he often expects the worst to happen.
Jamal however, after not being able to sleep, lets Latika in. It shows the good heart he has, and the kindness and warmth he has that Salim doesn't possess. Jamal doesn't have his mother any more and neither does she, and they comfort each other. Salim sleeps far away from Jamal and does not try to comfort him, so we can see he doesn't have the same kindness Jamal has. Jamal is a positive thinker.

Later on the kids are "adopted" by Maman, who gives them food and helped them when they had nowhere to sleep. But he actually trains them to sing on the street for money. Because Salim can not sing, he is given the role of supervisor. He abuses this role, yelling at the children who are his own age and just like him to get back to work. Jamal tries to defend Latika when Salim yells at her, and he tells Jamal to shut up. Salim abuses power. He likes to be the leader and will not tolerate people questioning him. He isn't even lenient with his own brother, so it shows that what has happened to his mother has really affected him. He has gone from being mean before, locking Jamal in the toilet, to being really cruel. He is trying to be the parent, but he doesn't really understand as he is still just a young kid.
We see later that Salim will not really let anything bad happen to Jamal. He protects him from having his eyes burned out by Maman, and helps him escape. So we see this moment of love for his brother, and, like from the start of the film, they still have a good bond.
But this moment of redemption for Salim is short lived, because as him, Jamal and Latika are boarding the train, he lets go of Latikas hand, leaving her to be re-captured by Maman. He still doesn't want her as a part of their family, and he is jealous of the bond she and Jamal have, so he lies and tells Jamal that she let go.

Jamal convinces Salim they should go back and look for Latika. This is evidence of his perseverance and his positive thinking. Even though she was taken by Maman he still believes she could be alive. He asks everyone he can find where she is.
In the meantime him and Salim are working at a job, where Jamal is working hard and Salim is lying down, doing as little as possible. Jamal reminds him they came back for Latika, but Salim says he doesn't care about her, which has been evident the whole film. Jamal goes to find her anyway, showing that even though he generally respects what his brother says, he doesn't always listen to him - he knows his own morals, and he is going to save Latika.
When he finds out Latikas location, Salim goes with him to get her. He refers to Latika as sexy, which shows he does not respect her, and Jamal is angry at him for saying it, showing how deeply he cares about her. They go in to get her, but Maman finds out and stops them, and tries to capture them once again. But Salim draws a gun. The fact that he has a gun says that his character is violent, but also cautious and protective of himself and Jamal. Jamal looks frightened that Salim owns a gun, and Salim uses it to make people do as he says. He always wants the power, and if he doesn't have it, he finds a way of getting it.
Even though it seems like they are just going to use the gun to escape, Salim actually kills Maman, because he can't let him hurt other people like he has been doing. So although he kills for the right reasons, it still shows that his character has a very violent nature, and again is very revengeful.

Later on, back at their hotel, Jamal is very respectful of Latika, not looking at her when he passes her a towel, and the two of them share stories with each other. Jamal is kind and gentle towards her, happy to have her back.
At the same time though, Salim goes to talk to Maman's rival, and gets a job working for him. When he comes back he tells Jamal to leave. Then he goes down to pick up Latika and Jamal rushes at him. He is not usually a violent boy, but after losing her, and losing his mother, he is very protective of her.
Salim kicks him out and tells him to get lost. He no longer cares about the brotherly bond the had. He holds a gun to his head and tells him he is number one now, and Jamal should stay away. Jamal can not believe this is happening to him, that his own brother has turned on him, but much to his own unhappiness, he leaves.

The next place we see Jamal is working at a call centre. He gets a chance to go on the computer directory and search Latika. It shows his persistance, the fact that he never gives up on her, because even though he is now 18 he is still looking for her. There are over 26,000 results for Latika, so he instead decides to search for his brother, hoping it would lead him to her. He is intelligent, more brains then physical strength, whereas Salim is the opposite, and this scene shows how he is resourceful and clever, using the resources the best way possible.

When Jamal goes to meet Salim later, we see the underlying anger in him come up again. He contemplates killing Salim, but he isn't like Salim - he can not kill. But he does get angry, and punches Salim. Surprisingly, when he says he will never forgive Salim for abandoning him at the hotel, Salim says "I know." We can see he is gradually developing a conscience; he still loves his brother, and regrets leaving him.
He tells Jamal he has to leave because his boss is coming. He is still cocky, thinks he is great because he works for a powerful gangster, and still thinks he is better then Jamal. But he does show his brotherly love by offering his place for Jamal to stay at.
Of course he has not stopped lying. He is surprised to learn that Jamal has co me looking for Latika, and tells her she is long gone, even though it is not the truth. He doesn't understand love the way Jamal does. It links back to the death of his mother - he has never really loved someone the way Jamal loves Latika, because he fears that the person he loves will just disappear from his life the way his mother did. He comes close to that love with Jamal, and Latika has always gotten in the way of them, so he doesn't tell Jamal he knows where Latika is. In a way he is also doing it to protect him, because if Jamal tries to save Latika he will most likely be killed.

Jamal follows Salim to see where he is going, and sees Latika there. He tells her they should ;eave, she should get out but she says it can't happen. He is still thinking positively, he believes in their happily ever after, but she doubts it will happen. When Jamal insists that Salim will help them, Latika can't believe he trusts Salim. He tells her he will never forget her, because he loves her, but she says it is too late for them. He tells her to meet him at the train station, and even after she says that it is too late he still holds onto the hope that she will be there. She escapes and meets him there, but is recaptured by Salim and others from the gang, confirming her belief that they cannot trust him, and that he has low respect for her.

On the night of Jamals big question, Latika cannot stop thinking about Jamal, and Salim sees this. He, in a last attempt to redeem himself to Jamal, offers her his keys and tells her to go. He promises to take care of the boss, because he knows she has to go. He also gives her his cellphone, then asks for forgiveness. He is showing that he is still the leader, still in control, but at the same time admitting he has weaknesses, and shows that underneath he does have a conscience, and has a heart for Latika and Jamal.

Jamal being on Who Wants to Be A Millionaire really works for getting him what he wanted. He knew that Latika watched it, so he used that as a way for her to find him, and him to help her, and it ultimately lead her to him. We can it see on the "phone a friend" scene, where even though Latika doesn't know the answer, Jamal is just so excited to hear that she is safe. He answers the question as A, even though he doesn't know if that is right or not, but he no longer cares. He only cares for Latika, and knowing she is safe brings him joy.
They end up finding each other, and Jamals hard work has paid off. All the searching, the looking for her, all the perseverance, and now he has her. It is inspiring for the audience to watch his hard work pay off. They know all the pain and heartbreak Jamal has been through, but it was worth it, because he gets what he wanted all along - Latika. He even wins the top prize on Who Wants To Be A Millionaire, which is like good karma - good things happen to good people.

But for Salim, who was not such a good person, his ending is not so good. He redeemed himself by letting Latika go, but also he sacrifices himself to stop his boss. He kills him, knowing he will be shot for doing it, but he sees no point to his life so much any more. He lets Latika go and live the happy life with Jamal, but for him, there is nothing worth living for in his life, so he lets himself go.

We can see the difference between Jamal and Salim all through the film, and the audience is rooting for Jamal to come out on top, which he does. Salim seemingly gets the end he deserves, but because of the trauma he suffered in his life, it seems natural he would act out in this way. They are both complex characters who share a bond only brothers have.


Saturday, April 9, 2011

Task 1 - Film Language - Part 3

Music

Danny Boyle loves doing the soundtrack on films. In his earlier films he used a lot of music by already known bands, but has gradually shifted into having original music composed for his films.

Millions

Millions is one of the films that included both original music and music from outside.
An example of the music from outside is the song Brazil by S'Express. It is an upbeat pop song that Danny Boyle said he had been holding onto since they took it out of Trainspotting, and thought it worked well in the scene where the boys are excited about their newly found money. It's energetic just like the boys in this scene so it works really well.
He also uses the song Hysteria by well-known band Muse in the scene where the robbery is taking place, and the intensity of the song works in really well with the intensity of the scene



For the original score, Danny was initially apprehensive about letting John Murphy do the score as it was classical, but after hearing his ideas, he signed him on to compose for the film. Murphy did all the themes apart from the pop songs. He was influenced by Danny Elfmans score in Edward Scissorhands, and was aiming to make music that was very magical, and captured Damians imaginative spirit.

John Murphy - Wikipedia

Murphy also worked with Boyle on 28 Days Later and Sunshine.

Slumdog Millionaire

For Slumdog Millionaire most of the songs were written by A. R. Rahman, an Indian film composer, music producer and musician. Boyle wanted a "pulsey" score, that was upbeat and edgy. Rahman says he was "mixing modern India and the old India". He won the 2009 Academy award for Best Original Score for Slumdog Millionaire.

O...Saya is one of the more famous songs that A.R.Rahman composed for the film along with M.I.A. Both of them also performed the song. It was nominated for an Academy Award for Best Original Song in 2009, although it did not win.
It is used in one of the first scenes in the movie, when the children are running from the policeman through the slums. It is quite upbeat and really captures the energy of the children. The drums in the background of the song add to the urgency and excitement in the scene, and the Indian flair the song really places you in the setting of India, without being too forceful about it.



Jai Ho, also written by Rahman, is one of the most well-known songs from the film. It won the 2009 Academy Award for Best Original Song. It was used for the "Bollywood" style scene at the end, paying respect to the great films of India. It is upbeat and fun, and a very uplifting way to end the film.


It is perhaps better known for the version released by American girl band The Pussycat Dolls. They gave it more of a pop melody and wrote lyrics in English for it. It enjoyed a lot of commercial success, reaching number 1 and number 2 in the charts in many countries




Paper Planes was one song in the movies soundtrack that was not by A R Rahman, but written and performed by M.I.A. Danny Boyle had decided early on that he wanted to incorporate this song into the film, and he used it in the scene where Jamal and Salim are trying to make money by stealing and other various things.
I think the slowish relaxing beat adds an easygoing element to the scene. Instead of making their fight for survival emotional and heart wrenching, Boyle uses this song to make people focus on how clever and resourceful the two boys are, and it is a really enjoyable scene to watch.
After being on Slumdog Millionaire this song also enjoyed commercial success, reaching the top 20 on many charts around the world.





127 Hours

For 127 Hours Danny Boyle again worked with Rahman, who composed most of the music on the film. He said he wanted the music to feel like something Aron Ralston would listen to, and focused mainly on using the guitar. His music focused mainly on the happy, confident Ralsston, and the excitement of his adventures. The score got very positive reviews. It worked well and really told a story. Rahman was again nominated for the Academy Award for Best Original Score, although this time he did not win.

Although a lot of the songs Rahman did were instrumental, one of the more famous songs to come out of 127 hours was If I Rise, which he composed and singer Dido wrote the lyrics for. Both sang the song. It was nominated for the Academy Award for Best Original Song, although it did not win.
It was used in the part of the film where Aron imagines his future son. The song is quite slow and haunting, and it really emphasizes this moment of realization that he has, where he decides he has to fight for his life. It allows the audience to connect with his emotions, and to see this future he sees.




Links:
http://www.youtube.com/watch?v=LqPmCc2qbF8
http://nymag.com/daily/entertainment/2008/11/ar_rahman_on_slumdogs_sound.html
http://en.wikipedia.org/wiki/Slumdog_Millionaire#Soundtrack
http://en.wikipedia.org/wiki/Slumdog_Millionaire_%28soundtrack%29
http://en.wikipedia.org/wiki/Jai_Ho
http://en.wikipedia.org/wiki/127_Hours:_Music_from_the_Motion_Picture

Task 1 - Film Language - Part 2

Use of Colour

One of Danny Boyles trademarks is his bold use of amazing colours throughout his films. It is one of the many tings that make his films stand out. He also picks settings and landscapes that have bright colours that stand out.

Millions

This is a shot from the opening sequence, where the two brothers are biking through a rapeseed field. It instantly attracts the viewers attention to the film, and the use of the yellow coloured flowers expresses the excitement and joy the brothers feel as they are racing through the flowers, towards their new home.



This shot was taken in Liverpool, looking over the city. The deep colours are amazing to look at and you can really see why Damian likes to come here, like there is freedom. There is a sense of perfection, with the perfect blue sky, and it shows how he sees the world as a nice calm place. It also emphasizes that Damian isn't too concerned with the money, he still enjoys the outdoors and the wonders of nature. The money hasn't changed him like it is changing his brother.

This was shot on a beach in Formby Point. It is the last scene of the film, and in the scene it shows the benefits of them donating the stolen money to digging wells to provide communities with fresh water. It is in Damian's imagination, so the colours of the perfect blue sky reflect how he feels like helping the poor is perfection to him. The bright sunny beach is also showing that it is a redemption scene. For all the problems the money has caused, it has finally bought happiness to their family and others. It also makes the audience feel happy, and imagine that warm beach and clear blue sky which is so nice.

The fog in this scene is a mixture of colours, yellow, black and blue. The yellow represents Damian's happiness, to finally have seen his mother. But the merging of the colours shows the confusion Anthony feels. He is not sure he wants all the money anymore, he wants what Damian has - his imagination.
The colours are also very pleasing to the eye for the audience, and quite amazing to look at, which makes the scene more interesting.


This scene is a flashback recount of the robbery. To make the scene look different to what was happening in real time. It was shot on reversal film, which Danny Boyle used because it emphasizes certain colours, like the reds and blacks, and gives it a different look. It works well because it is a hard, edgy robbery scene and the colours emphasize the deception.


It continues on, and there is this shot of the train, shot on the same film. You can see that the greens are deeper and darker, it looks edgy, and it adds to the anger and passion in this scene.




127 Hours

In this film the main colours Boyle has presented are blue and orange. Not just the landscape but also in Aron's shirt, which is orange, and the colour of his water pack and other various items. He probably used these because they are bright, active colours. The orange represents Aron's energy and sense of adventure and the blues are the calmer deeper side of him, when he has to reflect on how he got himself into this mess.

This is a shot from when Aron first sets out on the Saturday. The viewer can see the bright blue sky and that it is a perfect day to go for a bike ride. The setting is bright and orange, covered in rocks and is pleasing to the eye., and makes the audience feel the excitement Aron feels. The perfection the audience sees is false, because later that day Aron's arm gets stuck, and the day is not perfect anymore.

The rich blue here is amazing to look at. The blue water looks fresh and intense, and it connects with the emotions in the scene, of the invigorating experience Aron is giving the other two by making them take the plunge into the water. It also creates a connection with the audience, because the water looks so blue, so unreal and unbelieveable, they want to swim in it and feel what the characters feel.

Yellow is used in this scene where Aron has a premonition of sorts about his future son . The reason yellow is used is to show that seeing his son is like him seeing the light. He realizes he needs to fight for his future, that he has something to live for, and this light bulb in his head is what kicks him into action, and ultimately leads to him surviving. It is like a light at the end of the tunnel.


Slumdog Millionaire

Danny Boyle used the colour yellow mostly in the landscapes in this film. It would always appear when things were looking up for Jamal, and it showed that even in the bad times there was still happiness

Here the landscape is yellow, and the sky is blue. The boys have escaped from Maman and are now doing well, riding on the train through these nice fields. It is bright and shows their escape, and the freedom they feel. It also shows how attractive India can be.

This shot also shows that even with the dust and dirt that is in the slums, the sunset is still glowing and sunny, and the area can still look quite magnificent.





Yellow is also Latikas colour. They decided she needed a colour that would stand out, and the audience would subconsciously remember. It is made to be very symbolic, as she has always been a light to Jamal, the sunshine in his life, and his hope. So this colour works well for her character. They used a special camera to get the effect of this scene with Latika, and enhanced the colours, so it is very bright and stands out. It is a very memorable shot, and the bright colour of yellow again emphasizes that she is the light of his life.


A great example of Danny Boyle's epic use of colour is in Sunshine. One of the most amazing things about this film is the rich blues, greens and most importantly, the yellows. It was amazing to watch, so full and vivid
You can see a lot of the use of colour in this trailer -



Information gathered from:

http://www.youtube.com/watch?v=kbu3GmiWF68

http://www.thefancarpet.com/q-and-a/127hours_dannyboyle_jamesfranco
http://www.youtube.com/watch?v=YWP9F8UGhGQ
http://www.youtube.com/watch?v=CnU1ftPu9bc

Millions Commentary - Danny Boyle and Frank Cottrell Boyce
Slumdog Millionaire Commentary - Danny Boyle and Dev Patel

Wednesday, April 6, 2011

Task 1 - Film Language - Part 1



Wide, high angled shot

In many of his films Danny Boyle uses high angled shots for a number of purposes, as an establishing shot and to give information to the audience, and he executes the high angled shots in a variety of different ways.


127 Hours

In this film Boyle zooms out to his high angled shot. Is is an extremely high angle, as you can see in the last frame of the picture here. It shows Canyonlands National Park in Utah where Aron was trapped.

The choice of shot here was used to show how large and vast this area is, and also how empty. Arons arm is trapped at this point, and as you can see in the first frame he is crying out for help. Danny Boyle starts a slowish zoom out from Aron's face, and keeps zooming out, getting further away from Aron to this high angled shot which shows the audience just how small the crack he is in is, and how small it is and he is in relation to the whole area. People are left with the feeling he will never be found, that his efforts at yelling will not be any use at all. This is the effect Danny Boyle wants to create among the audience, because this film is based on a true story, and many people already know that he survives. Boyle wants to convince people that there is no way he can survive, and uses this high angled shot effectively to show that survival is unlikely.


Slumdog Millionaire

Again, in this film, Boyle uses this extremely high angled shot, and he uses it to show the slums in Mumbai. This is one of the biggest slums in India, and the shot shows the audience just how large they really are. Even though each shot is getting further and further away from the slums, it is still all we can see, and this really shows the audience that they are bigger then they can even imagine.
The way Boyle executes the shot is different to 127 Hours. Instead of zooming out to show the whole area, each of the three shots are shown as statics - 1, 2, 3 - in a row. The use of this keeps with the upbeat, exciting nature of this scene, with the children running through the slums. Danny Boyle said he really wanted to show that the slums were lively, thriving places, and by doing the quick switch to the next shot it keeps the excitement running. It also means it doesn't seem like it is pitying the people in the slums. Boyle has a real interest and love for the slums, and he wants to show them how he sees them, not have the audience feel bad for the children or people. The high angled, almost overhead shot shows the bustling areas size and really makes the audience see how amazing and interesting the slums are.



Millions

In Millions the high angled shot is not as high as the other two films and is used as an establishing shot.
It is used at the beginning of the film when the two children go to this place that is to be their new home. It establishes this place where a lot of the film is set for the future.
The top left shot and the two bottom shots < open this scene, in which the boys watch the house they are going to live in being built, and showing this large empty area emphasizes the endless possibilities and adventures there are for them to dream up in this new place.
It also links the beginning of the scene to the end. In the pictures above ^ the bottom two shots are the high angle shots from when they arrive on the scene, and the top right picture is the shot from the end of the scene. It links the empty dirt area to the house that has been built on it. It also shows the passing of time effectively, as it zooms out from inside the house, looking down, to this fully built house, showing how the house has sort of grown up from the original dirt lot.

Even though the high-angled shots in each of the movies are all executed differently, and used for different effects, we can really see similar characteristics in all of them. Danny Boyle effectively uses them to show the audience the setting and provide deeper understanding of the situations people in the film are in.

Information gathered from:

http://www.youtube.com/watch?v=kbu3GmiWF68

http://www.thefancarpet.com/q-and-a/127hours_dannyboyle_jamesfranco
http://www.youtube.com/watch?v=YWP9F8UGhGQ
http://www.youtube.com/watch?v=CnU1ftPu9bc

Millions Commentary - Danny Boyle and Frank Cottrell Boyce
Slumdog Millionaire Commentary - Danny Boyle and Dev Patel


Sunday, April 3, 2011

Task 2 - Reading One

First reading - Sociological - How the film was received by Western audiences compared to Indian audiences



One of the really interesting things about Slumdog Millionaire was how differently the film was viewed but the Western audience compared to the audience in India. Most of India felt like the film portrayed a negative image of Mumbai, and it didn't show all the city had to offer. The term "slumdog", from the title of the film, was one of the main causes of outrage from people living in slums. A social activist, Nicolas Almeida, organized a protest against the term, and many slum-dwellers came out to protest, holding signs reading "I am not a dog". The script writer Simon Beaufoy said the term was created merely because he thought it sounded like an interesting title. He did not take into consideration that dogs are considered unsafe and unclean in India, and the slum-dwellers thought they were, in turn, being labeled the same things. Director Danny Boyle said the term was like a combination of the word "underdog" and the obvious fact he was from the slums. It is understandable that the people who live in slums felt offended by the title, but it seems like the Western viewers wouldn't really have given it as much thought. It is just a catchy title.

Another thing that bothered many people in India was the fact that it seemed to view India from a Western perspective - it was an Indian-focused film from a very Westernized director. The idea was stated very well by a Mumbai-based newspaper - "The miserable existence of the average slum dweller, which we in India know
so well, is novel to the Western viewer." The people in Mumbai felt that the film exploited the slums as a means of creating a great film, and what was a harsh reality for them was being used as a source of entertainment. Danny Boyle does not think of the slums as a static place, all gloom and doom - he loves the fact that they are their own community, a "thriving, bustling mini metropolis".










Overall, the film didn't do very well in India. Boyle included many symbols of India that were recognizable to Western viewers - such as the Taj Mahal, Amitabh Bachchan, cricket - to make them feel included and make it more enjoyable for THEM to watch. But for the people in Mumbai, the film did not get a big audience, and it did not get positive reviews.


Other then the slight hint of Bollywood in the credits, it wasn't really the type of film India overly enjoyed. They preferred Bollywood, which projected the idea of the "impossible dream". So although the film was well received in America and other Westernized countries, the movie was not appreciated in the place it was filmed - India. One concern that came from Mumbai was the image the film projected of their city. They argued that it only showed the negative side, the slums, whereas they wanted their city to be known for the great economical strides they had made. The Indian viewers were uncomfortable with how the slums were depicted - how badly children were treated and how the police treated a boy from the slums. The focus seemed like it was on the negative side of Mumbai, so it felt like it was portraying overall a bad image for them, and the country. They felt that it was attempting to make all the Western viewers see all the problems in India, and they wanted to be seen for much more then that.

Danny Boyle responded that what he wanted people to take from the film was the "breathtaking resilience of people and the joy of people despite their circumstances." So for him, even though Jamal came from these situations, he was showing the journey he made out of them, not making the main focus all the problems in Mumbai. This is generally how the Western audience felt. It was seen as a "wonderful rags to riches tale" (Sydney Morning Herald), and a very uplifting movie, because of the way Jamal overcame the odds. So yes, we did see the suffering and pain that was felt, and these problems and issues in Mumbai, but the main thing was how Jamal overcame them, and triumphed. A.R. Rahman, composer for the film, said "For me it's not about India alone, it's about the human spirit which triumphs, and this could have happened in China or Brazil or anywhere else."
I can see where the people from the slums and Indian people are coming from, and why they would feel offended by the portrayal of their country, but maybe the truth is although it is a film based in India, it was really made for the Western audience. They can remove themselves from the situation, and see the creative camera work and clever storyline, so it was a much more enjoyable movie for them. It was less enjoyable for people who knew about the harsh reality of these things, things that really do happen in India. Made in India, yes, but made for India? Maybe not.

Links:
http://en.wikipedia.org/wiki/Controversial_issues_surrounding_Slumdog_Millionaire http://www.travelblog.org/Topics/16241-1.html
http://asiasociety.org/style-living/popular-culture/slumdog-millionaire-loved-everywhere-india
http://www.thestar.com/news/world/article/634708
http://www.timesonline.co.uk/tol/comment/columnists/guest_contributors/article5511650.ece http://www.upiasia.com/Society_Culture/2009/02/02/film_stereotyping_india_is_a_mistake/7188/
http://www.rediff.com/movies/2009/jan/29is-slumdog-worth-it.htm http://www.filmjunk.com/2009/01/21/danny-boyle-responds-to-slumdog-millionaire-backlash/ http://www.expressindia.com/latest-news/Make-your-own-film-Rahman-tells-Slumdog-critics/420128/ http://roomfordebate.blogs.nytimes.com/2009/02/20/the-real-roots-of-the-slumdog-protests/